I’ve lost count of how many rebrands I’ve worked on over the course of my career. But no matter how many teams I embed myself in for the duration of a big branding project, without fail someone (usually the person who’s been with the company longest) always asks: “So … are we keeping any of this?”
Fair question. People seem to think that rebranding has to mean starting from scratch. New name, new mark, new colours, new everything — as if the old version of the brand was something to be embarrassed about.
Sometimes starting over is the right decision. More often it isn’t. Some of what a business has built up over the years is genuine equity: brand recognition, trust, the sheer accumulated weight of people knowing what you look like and exactly what they can expect from you.
Familiarity has a value you should never take for granted. Bin all that for the sake of a fresh start and you’re paying for it twice; once in the rebrand budget and once in the recognition you now have to rebuild.
Familiarity has a value you should never take for granted.
SOLVEIG PETCH
Strategic Brandsmith at Petchy
To make matters even trickier, equity and attachment can look identical from the inside. A founder who’s used the same shade of green since 2011 will swear it’s core to who they are.
And they might be right. Or they might just be used to it. Telling those two apart is, honestly, most of my job.
There’s one “attachment issue” I want to especially call out, because it’s the one that does the most damage: fear, dressed up as loyalty.
I’ve sat across from clients defending a logo or an entire visual system with real conviction, not because it’s working, but because it’s theirs. Changing it feels like admitting the original decision was wrong, or like losing a piece of the company’s history. I get it, that’s a very human reaction.
But it isn’t a strategic one, and left unchecked it could cost you more over time than you realise. An identity that no longer reflects what the company does or who it serves now doesn’t get safer by staying familiar. It just becomes dead weight, confusing new customers and undercutting whatever positioning work is happening elsewhere.
The market isn’t handing out loyalty points for sentiment. It just forms an impression, and an out-of-date one costs you in ways that are hard to trace back to the source.
Part of what I do is separate that clinging from legitimate caution. Legitimate caution asks what an element is actually doing for the business. Clinging doesn’t ask anything; it’s a reflex.
So I ask my clients: does this show up in how customers describe you? Does it carry recognition that would cost real money and years to rebuild from scratch? Is it doing strategic work, or is it just familiar because it’s been sitting there a while?
Familiarity and equity are not the same thing, and mixing them up is how businesses end up defending stuff that was mediocre on day one and has simply had longer to bed in. If someone’s best justification is “this is how it’s always been”, that’s usually my answer right there.
Familiarity and equity are not the same thing, and mixing them up is how businesses end up defending stuff that was mediocre on day one and has simply had longer to bed in.
SOLVEIG PETCH
Strategic Brandsmith at Petchy
A premium garden design business I worked with recently is a prime example. The owner built the company from nothing, and her original identity had real heart: a hand-drawn floral illustration, paired with a typeface that nodded to the art nouveau architecture of her region. It was personal, it was clearly loved and I could see where it came from.
You can view the original logo designs here and here.
But set against the audience she needed to reach, established homeowners weighing up a serious investment in their outdoor space, the execution of the original idea was working against her rather than for her. The illustrative style read as hobbyist when the business itself had long since outgrown that category.

The obvious move would have been to scrap it and start fresh. So why didn’t I?
Because her attachment to that original mark wasn’t incidental, it reflected exactly the kind of personal, generational thinking her whole strategy was built on: legacy, care, a business meant to outlast her. Treating the logo as a problem to solve would have meant solving the wrong problem. So we treated it as a starting point instead.
The hand-drawn flower was refined and set free from the logotype entirely, becoming its own recurring motif across the brand. The wordmark/logo kept its nod to local historic architecture but was softened into something more polished and with more room to sit comfortably next to a premium price tag. She ended up with a very different look and feel, but nothing about the brand’s origins was erased.
We just raised the bar to meet the market she was already attracting.

That’s the case for keeping things: when the attachment and the strategy are pointing in the same direction, the job is refinement, not reinvention. My job in that scenario is to figure out what’s worth keeping, and what’s holding you back.
When the attachment and the strategy are pointing in the same direction, the job is refinement, not reinvention.
SOLVEIG PETCH
Strategic Brandsmith at Petchy
Sometimes though, there is a case for starting over, and that tends to show up when the problem isn’t merely cosmetic. Maybe the business has genuinely changed what it does, how it operates, or who it serves. Maybe the identity was never strategically grounded to begin with and simply reflected whatever felt nice or fresh or “on trend” at the time.
Or there’s been a reputational event serious enough that the old identity is now working against the business rather than for it.
Those are typical scenarios where a clean break is worth the extra investment in terms of time, effort, and money. Holding onto equity attached to the wrong audience, or to a version of the business that doesn’t exist anymore, is delaying the inevitable. The people most invested in keeping things “how they’ve always been” tend to be the ones who feel the cost last.
By the time it lands, a competitor with clearer positioning has already taken the ground the business was standing on. Ouch.
Just as often, businesses embrace change at the surface level only, without the all-important strategic work to back it up. Fresh logo, cleaner website, updated colour palette, job done. I understand the appeal.
Visuals are tangible, it’s fast to sign off, and it looks great in the fancy launch post. It feels like progress — a win, surely?
But visuals on their own don’t rebrand anything.
They redecorate it. If the positioning underneath hasn’t budged, if you’re still serving the same audience with the same offer the same way you always have, a new coat of paint just gives you a better-looking version of the same confusion. Worse, it can genuinely mislead people for a while, because the promise implied by the new look isn’t backed by anything different happening behind it.
And believe me … clients figure that out fast. Any rebrand that’s worth the spend starts with the thinking: what is this business now, who is it for, what does it promise, and why should anyone believe — or care about — that promise? The visual identity is what that thinking looks like once it’s finished.
It was never meant to do the thinking for you.
The visual identity is what that thinking looks like once it’s finished. It was never meant to do the thinking for you.
SOLVEIG PETCH
Strategic Brandsmith at Petchy
Most projects sit somewhere between “keep-everything” and “keep-nothing”, and that middle ground is where the real work lies. It’s rarely a straight either/or. More often it’s a careful audit: “this colour stays because it’s doing genuine recognition work, that wordmark goes because it was never quite right and everyone secretly knew it, this layout principle gets modernised because the logic underneath still holds up…”
That often means I have to tell a client the thing they’re proudest of isn’t pulling its weight. It also means telling them the bit they were ready to throw out is the one thing worth protecting. And sometimes it means being the person who gently points out that keeping something out of fear is a risk in itself, even if it doesn’t feel like one.
None of these challenges can be solved by taste alone, mine nor the client’s. It needs a strategic foundation first. A clear read on positioning, audience, what the brand stands for — before anyone so much as opens a colour palette.
Skip that groundwork and “what should survive?” turns into a negotiation between egos instead of a decision grounded in what the business truly needs.
And that’s a conversation I’d really rather not have with a client twice.
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If you read all the way down here hoping for a clean-cut answer to the question at hand, I’m sorry to disappoint. The honest answer is “it depends,” which I realise is the least satisfying sentence a strategist can offer. But it’s also the only one that’s ever held up.
Ask what’s still pulling its weight, and keep that. Everything else is up for debate.
Learn more at Petchy, connect with Solveig Petch on LinkedIn, or follow Petchy on Instagram.

